Eyepiece Chamois Cushions, BlueStar

A new eye cushion model crafted from microfibre synthetic leather has been added to Bluestar's line for those seeking a more cost-effective alternative.  These eye cushions give maximum absorbency, making them perfect for the camera operator working on a hot set or in a hot location. Each eye cushion is individually sealed in a plastic bag ensuring absolute cleanliness and sanitation until it is put on the camera. Bluestar eye cushions are welded rather than stitched, thereby providing increased comfort around your eye. Furthermore, unlike other eye cushions, Bluestar's extra-thick foam backing provides an excellent light seal with even the gentlest eye pressure. When gently stretched, the cushion's flexible construction conforms to fit snugly and securely around both circular and oval eyecups.

Leather Eyepiece Chamois Cushions, BlueStar (HDCAM XL Round Leather)

Bluestar eye cushions are exclusively made from the highest quality oil-tanned English chamois. The chamois is wheel-buffed to downy softness, making it the best thing to wear against your own skin. It is non-irritating, non-allergenic and fragrance-free. A new eye cushion model crafted from microfibre synthetic leather has been added to Bluestar's line for those seeking a more cost-effective alternative. Whether you opt for the oil-tanned chamois or the synthetic leather models, these eye cushions give maximum absorbency, making them perfect for the camera operator working on a hot set or in a hot location. Each eye cushion is individually sealed in a plastic bag ensuring absolute cleanliness and sanitation until it is put on the camera. Bluestar eye cushions are welded rather than stitched, thereby providing increased comfort around your eye. Furthermore, unlike other eye cushions, Bluestar's extra-thick foam backing provides an excellent light seal with even the gentlest eye pressure. When gently stretched, the cushion's flexible construction conforms to fit snugly and securely around both circular and oval eyecups.

Leather Eyepiece Chamois Cushions, BlueStar (Large Round Leather)

Bluestar eye cushions are exclusively made from the highest quality oil-tanned English chamois. The chamois is wheel-buffed to downy softness, making it the best thing to wear against your own skin. It is non-irritating, non-allergenic and fragrance-free. A new eye cushion model crafted from microfibre synthetic leather has been added to Bluestar's line for those seeking a more cost-effective alternative. Whether you opt for the oil-tanned chamois or the synthetic leather models, these eye cushions give maximum absorbency, making them perfect for the camera operator working on a hot set or in a hot location. Each eye cushion is individually sealed in a plastic bag ensuring absolute cleanliness and sanitation until it is put on the camera. Bluestar eye cushions are welded rather than stitched, thereby providing increased comfort around your eye. Furthermore, unlike other eye cushions, Bluestar's extra-thick foam backing provides an excellent light seal with even the gentlest eye pressure. When gently stretched, the cushion's flexible construction conforms to fit snugly and securely around both circular and oval eyecups.

Leather Eyepiece Chamois Cushions, BlueStar (Small Round Leather)

Bluestar eye cushions are exclusively made from the highest quality oil-tanned English chamois. The chamois is wheel-buffed to downy softness, making it the best thing to wear against your own skin. It is non-irritating, non-allergenic and fragrance-free. A new eye cushion model crafted from microfibre synthetic leather has been added to Bluestar's line for those seeking a more cost-effective alternative. Whether you opt for the oil-tanned chamois or the synthetic leather models, these eye cushions give maximum absorbency, making them perfect for the camera operator working on a hot set or in a hot location. Each eye cushion is individually sealed in a plastic bag ensuring absolute cleanliness and sanitation until it is put on the camera. Bluestar eye cushions are welded rather than stitched, thereby providing increased comfort around your eye. Furthermore, unlike other eye cushions, Bluestar's extra-thick foam backing provides an excellent light seal with even the gentlest eye pressure. When gently stretched, the cushion's flexible construction conforms to fit snugly and securely around both circular and oval eyecups.

Leather Eyepiece Chamois Cushions, BlueStar (Sony PD150 Oval Leather)

Bluestar eye cushions are exclusively made from the highest quality oil-tanned English chamois. The chamois is wheel-buffed to downy softness, making it the best thing to wear against your own skin. It is non-irritating, non-allergenic and fragrance-free. A new eye cushion model crafted from microfibre synthetic leather has been added to Bluestar's line for those seeking a more cost-effective alternative. Whether you opt for the oil-tanned chamois or the synthetic leather models, these eye cushions give maximum absorbency, making them perfect for the camera operator working on a hot set or in a hot location. Each eye cushion is individually sealed in a plastic bag ensuring absolute cleanliness and sanitation until it is put on the camera. Bluestar eye cushions are welded rather than stitched, thereby providing increased comfort around your eye. Furthermore, unlike other eye cushions, Bluestar's extra-thick foam backing provides an excellent light seal with even the gentlest eye pressure. When gently stretched, the cushion's flexible construction conforms to fit snugly and securely around both circular and oval eyecups.

Schneider 81- One For Skin Tones. 4"x5"

Schneiders 81 Series For Skin Tones. 4x5.650 Panavision. The 81-One and the 81-Two. Born from the Kodak 81-A Wratten, both filters are designed to add warmth to skin tones and reduce excessive blue in outdoor open shade. The 81-Two is used to accentuate skin tones for a warmer appearance. For a subject with darker skin tones, the 81-One is more appropriate.Ideal for romantic close-ups, the 81 Series can be combined with softening filters.

Schneider 81- Two For Skin Tones. 4"x5"

Schneider 81 Series For Skin Tones. 4x5.650 Panavision.  The 81-One and the 81-Two. Born from the Kodak 81-A Wratten, both filters are designed to add warmth to skin tones and reduce excessive blue in outdoor open shade. The 81-Two is used to accentuate skin tones for a warmer appearance. For a subject with darker skin tones, the 81-One is more appropriate.Ideal for romantic close-ups, the 81 Series can be combined with softening filters.

Schneider Optics 85 Filters. 4x5.650

Color Correction filters serve two key functions: they change the color content of the light to match the color response of the film, and they permit the user to creatively modify color in subtle ways.Encompassing a wide range of colors and densities, color correction filters are categorized into three main groups: Color Conversion, Light Balancing, and Color Compensating. Each can create a wealth of practical color-temperature corrections and excitingly creative color effects.Two of the most often used color correction filters are the 85 and the 81EF.Although todayÍs film emulsions provide the cinematographer with great latitude and flexibility, the 85 still remains the industryÍs most commonly used color conversion filter. The 85 is primarily used to correct the color of tungsten balanced film (3200K) when shooting in daylight (5600K).By combining an 81EF with an 85, over-correction is achieved which results in a warm look.Sometimes a Director of Photography may prefer to use an 81EF rather than an 85. When used alone in daylight, this filter under-corrects tungsten balanced film and provides a cool or bluish look.However, if an 81EF is used with tungsten balanced film in tungsten light, it results in a warm look.Schneider has been careful to match both of these filters to their respective Kodak Wratten numbers. They are available in the following sizes: Series 9, 41/2", 138mm, 4"x4", 4"x4.560" (Panavision size) and 6.6"x6.6".

Schneider Optics 85 True-Pol Linear Polarizing Filter. 4x5.650

Schneider Optics 85 True-Pol Linear Polarizing Filter. 4x5.650. Combines 85 Daylight Correction and Linear Polarizer.

Schneider Optics Clear Optical Flat Filter. 4" x 5.650".

Schneider Optics Clear Optical Flat Filter, Coated. For Panavision formatted matte boxes. 4" x 5.650".

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Classic Sunset

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Amber 1 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Amber 2 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Amber 3 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Amber 1 Hard Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Amber 2 Hard Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Amber 3 Hard Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Coral 1/2 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Coral 1 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Coral 2 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Coral 3 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Coral 1/2 Hard Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Coral 1 Hard Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Coral 2 Hard Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Coral 3 Hard Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Gold 1 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Gold 2 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Gold 3 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Gold 1 Hard Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Gold 2 Hard Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Gold 3 Hard Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Paradise Blue 1 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Paradise Blue 2 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Paradise Blue 3 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Paradise Blue 1 Hard Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Paradise Blue 2 Hard Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Paradise Blue 3 Hard Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Storm Blue 1 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Storm Blue 2 Soft Edge

Schneider Optics Color Graduted Color Effects Filters. 6.6x6.6

Storm Blue 3 Soft Edge